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Image of 'The Umbrellas', about 1881-6, by Pierre-Auguste Renoir. The National Gallery, London.
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Teachers' Notes

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'The Umbrellas', about 1881-6
by Pierre-Auguste Renoir
London, The National Gallery.

For 2008/09, the one-day 'Take One Picture' Continuing Professional Development courses, run by National Gallery Education, will focus on 'The Umbrellas' by Renoir.

The course will look at ways of using paintings in the classroom as a starting point for delivering many areas of the National Curriculum. This principle aligns closely with the DCSF Primary National Strategy: Excellence and Enjoyment, which supports a holistic approach to the curriculum by exploiting the links between subject areas.

The Umbrellas shows a bustling Parisian street scene. The raised umbrellas suggest that rain is falling, although the woman in the centre with the raised profile and lowered umbrella, shows that the rain has either just stopped, or is about to begin.

Something, or somebody, has caught the attention of the little girl on the right, and the lady on the left. What, or who, are they looking at? Perhaps they are looking at us - it is almost as if we ourselves are standing in the picture with them.

The composition is like a photographic snapshot, cutting figures off at either side. This is a naturalistic arrangement, and was popular with several of the Impressionist artists at the time. However, the composition of The Umbrellas is actually very carefully considered. The umbrellas form a geometric pattern of angles and shapes in blues and greys, a linking rhythm across the top of the painting. The little girl's hoop and the band-box held by the woman on the left provide a balance of curves in the foreground.

An exhibition of work produced by schools based on this painting will be shown in Room 1 at the National Gallery in Spring 2010, and a selection will also be displayed on this website. To be considered for the exhibition, submit examples of how a whole class or school has used the picture in a cross-curricular way (no original work please) to the Education Department by Monday 2 November 2009.

© The National Gallery, London

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